My travels is all about... My views, thoughts and experiences on/about/at/with random places of interest, persons, things, events, issues etc,. I am an eternal student with a restless mind and a tumultuous heart!

Friday, July 13, 2018

Amarāvatī


Thorny bushes on both sides of the road, an endless track of bumpy & dusty land with the distant hills greeted me once I crossed Velagapudi which houses the new Secretariat of the Government of Andhra Pradesh. A few hamlets later, finally there was the sight of this town – Amarāvatī, the former capital of Satavahanas, the town which is included and lends its name to the new and future capital of Andhra Pradesh.

Fashioned after the capital city of the mythical ‘King of Gods’ Devendra, Amarāvatī  is located on the Southern banks of River Krishna (sadly almost always dried up except during the Rainy season). This town which was continuously inhabited since the 5th Century BCE posseses a single main road. On the Southern end of this road is the famous & historical temple dedicated to Lord Shiva as Amareshwara, one of the Pancharama Kshetras with the adjacent Amareswaram Ghat. On the other end is the famous Heritage Museum and bus-stop. Another connecting road intersects this main road almost in the centre – the 301 route through which busses ply to Vijayawada.

New Gautama Buddha Statue at the Dhyana Buddha Park

The Ruins of the Old Mahachaitya

Gopuram of Amareshwara Swamy Temple, (Under Renovation)

The town has three museums – the famous Heritage museum, the Archeological museum and the Ruins of the Mahachaitya in a nearby village called Dharanikota. A new park was developed recently, which houses a gigantic Statue of Gautama Buddha in Aasana (Sitting Posture).This was the capital of the Satavahanas, great patrons of art & architecture, during whose reign Buddhism flourished (c.2nd Century BCE – 2nd Century CE). The most interesting aspect of Amarāvatī  is that it is the birth-place of  Amarāvatī Sculpure, a school of art dealing with distinct Buddhist Sculptures, Marbles, Stupas etc, examples of which exist in the museums. The Jataka tales, life of Buddha were depicted in various Sculptures & Carvings in intricate panels – for this reason Amarāvatī Sculpure is considered as a Piece de Resistance in Ancient Indian Sculpture!

Example of
Amarāvatī Sculpture - Dharmachakra Stupa Worship


Example of Amarāvatī Sculpture - Yakshini


Example of Amarāvatī Sculpture -A Jataka tale

On my return, I’ve overheard two men speaking in Telugu in distinct Guntur slang. One of them complained that the old town Amarāvatī was not getting enough attention, tourism etc. The other one sounded optimistic - ‘Eh, attla kadu mama, time kavala. Nuvvu chustuvundoo’ (‘Not like that, It’s all in time. You wait and watch’)

It was sheer destiny that Amarāvatī lost its relevance for many centuries. It is apt now that the new capital is located here. Who decides how, when & which empires, nations, states or capitals rise and fall? Perhaps, it’s all in the time, as that old gentleman remarked!


Monday, 9th of July, 2018
Amarāvatī.
  

Tuesday, July 3, 2018

The Big Temple



An enticing architectural spirit is one of the things that comes to mind when one thinks of the Cholas in Indian History, apart from their efficient local-self government and the military exploits of the royal father-son duo of Raja Raja I and Rajendra. The most recognizable aspect of this spirit is the Brihadeeswara Temple (RajaRaja Temple/Thanjai Periya Kovil dedicated to Lord Shiva, built by Raja Raja Chola I, c.1003-1010 CE) of Thajavur.  And so, one fine afternoon, we visited the legendary and historical temple. Located near the Main Bus Stand (Old Bus stand), this temple is marked simply as ‘The Big Temple’ in various mile stones/sign boards in the city. As of June 2018, India houses 37 UNESCO World Heritage Sites & Brihadeeswara Temple is one such site, as a part of ‘The Great Living Chola Temples’.  A few steps inside and anyone would know why the tag is justified!
"Thanjai Periya Kovil" as seen sideways
 The first thing to notice is the sheer scale and size of this granite temple – the two welcoming Gopurams and the main Vimana of the Sanctum Sanctorum, surrounded by a moat (now dried) and a buffer grass /park area which are still intact. My brother remarked that this temple could be safer than the Thanjavur Palace and I couldn’t help but agree. Temples were not mere places of worship during Chola times, but also acted as cultural centres of learning & art, treasure houses of wealth and also as seats of true power. 
"The Big Temple" including Nandi

 Attached to the second Gopuram, a massive & long corridor for perambulation is judiciously endowed with the pristine carvings & murals. Within the temple, there are separate shrines and the one for 25 ton-monolithic statue of Nandi stands out – one of the biggest of it’s kind in India. The Sanctom Sanctorum is a piece de resistance – so spacious and awe-inspiring!  ‘Brihadeeswara’ i.e, great Lord – as the name itself indicates, the monolithic Lord Shiva Linga sculpture is one of the largest in the world.  On the walls of this 11th Century temple, inscriptions were carved in early Tamil and Sanskrit about details like temple upkeep.
A Fresco/mural inside the temple depicting Lord Shiva
A thousand years ago, when the temple was newly built, the Chola power was at it’s zenith – so much so that the  adjacent seas were transformed merely into a large ‘Chola Lake’, Lanka was subjugated, South East Asian Kingdoms willingly paid tributes and merchant ships from as far as China kowtowed before the Cholas for protection from Pirates. Giant strides were made in Culture & Self-Governance as well. A thousand years later, the temple stands, pristine and untouched by the excitement of visitors and admirers. 
The Vimana of the Temple
 It was an amazing experience, one to cherish!




@ Brihadeeswara Temple, Thanjavur on 30eth of June, 2018 

Friday, June 8, 2018

Monsoon




As dark clouds from the South-West dominate the clear blue skies,
a welcoming roar of thunder begins like an echo of the nature's claps.
The first drops fall and the pleasant 'petrichor' resonates all around,
rejoice! the showers bring relief after the dreaded summer's pound.

Good bye to the tasty mangoes and to the anxious season of exams and results,
raincoats make a comeback, and power cuts are justified now as if on an impulse.
Millions watch these winds, the source of a year long fury or fortune,
and frustrated sweating makes way for pleasant drenching, but with a caution.

The prayers are answered, as the Monsoon holds us all in embracing entrall, 
a happy farmer, a reluctant school-going kid - This impacts all!
Let us soak in merry at the delightful warmth of the mother earth,
for these few rains reinforce and reiterate our inherent worth!



 

Saturday, March 31, 2018

The last among un-equals





At Ol Pejeta, the great lonely beast passed away,
The 'last man standing' was a sad epithet on any given day.
In the great lands of Africa, his kind roamed in thousands,
But that was long back, a glory that was set for a sad end.

'Those horns can cure cancer' - the quacks claimed,
Poachers echoed in unison, for the profits to be gained.
Few torchbearers fought on behalf of the stricken animals,
A brutal battle for a lost cause, and the radicals trumped the rationals.

Thus a great sub-species had become a mere foot-note of history,
A long shot promise for revival, now a scientific mystery.
In an unforgiving world, 'Sudan' was never the first among equals,
A passing item of news-sites, he was merely 'The last among un-equals'






@
#16-7-16 ('Bhramara' Ground Floor), Saladi Jamindar Street, Palakollu (West Godavari), Andhra Pradesh
31st of March, 2018

The Last among Unequals (Poem) on 'Sudan' - the last male Northern White Rhino
On 19th of March, 2018 at Ol Pejeta Conservatory in Kenya, 'Sudan', the world's last male Northern White Rhino passed away at 43. Only two females are left living. The sub-species is slated for extinction, unless ongoing research on In-Vitro Fertilization techniques are successful. Rhinos face threats like Poaching because of alleged and unscientific importance of Rhino Horns in many traditional medicine systems & Man-animal conflict due to loss of habitat.
https://en.wikipedia.org/wiki/Sudan_(rhinoceros)
Picutre above -Michael Dalton-Smith or Digital Crossing Productions.




Sunday, March 11, 2018

The Course of a River (Godavari)


I arise unmindful of my humble origins, blessed by the canopy of the Western Ghats -
at Nashik Triambakeshwar of Maharashtra, I start to the East without being fast.
My course gently demarcates districts, and Kings fought over my waters in the Past -
the belligerents changed at the present, yet I move  duty minded till the last.

Cutting the dominant Deccan Plateau, I am the solace of the parched throats of the People, -
Manjira, Pranhita, Indravati & others enrich me every year as if in a scripted sequel.
Numerous dams adorn my course, trying to channel my flow -
and this brings a joy to the one who toils in the farm and wields his/her plough.

Piligrims to Basar and Bhadradri dip in my waters, as like at many other holy places,
and I turn fast and deep matching the Wild terrain of  Papi Hills, indulging in Hide & Seek embraces.
Widening at the old Chalukyan Capital, I salute Sir Cotton's engineering prowess,
Finally I branch out in honor of great sages, creating the 'Rice Bowl' Delta with little loudness.

Sometimes when the rains are too much, or I'm just too angry, I take away life and property,
But always and almost, I'm benign and life giving, if only I'm understood properly.
The Coal mines, the lush green paddy fields, Fish, the coconut trees - all hues of my happiness.
This is the story of my course and now, I must flow with all pride and prettiness!



The Course of a River (Godavari)
River Godavari is India's second longest River which flows for a total of 1,465 Kilometres draining the states of Maharashtra, Telangana, Andhra Pradesh, Chattisgarh, Madhya Pradesh, Karnataka, Puducherry and empties into the Bay of Bengal, forming one of the largest river basins in India.
https://en.wikipedia.org/wiki/Godavari_River
In the poem,
1st Stanza - Nashik Triambakeshwar is the place of origin of the River (Maharashtra)
2nd Stanza - Majira, Pranhita, Indravati are tributaries of the River
3rd Stanza - Basar, Bhadradri - famous piligrimage centres on the banks of the River and it's tributaries.
3rd Stanza - Old Chalukyan Capital refers to present day city of Rajamahendram in AP.
3rd Stanza - Sir Cotton refers to Sir Arthur Cotton http://viewofawanderer.blogspot.in/2016/05/cotton-tribute-poem-ships-from-west.html
Picture above - Sunset across the River at Dindi resorts.

Saturday, March 10, 2018

'So, that's the Headlines for the Day...



 


In one of the 'Smart Cities' of India, an urgent meeting was being held at the office of a prominent 'Media House' (say, a News Channel 'Y' - Company). The overall head ‘Mr.H’ was in a foul mood, and sitting along with him are his executive deputies ‘A’, ‘B’, ‘C’ and ‘D’. (Note - to promote gender parity, the company and Mr.H specifically have stopped addressing employees as a certain 'Mister' or 'Miss' - many people scratched their heads as to how it would help in gender parity.)

“Have you seen the TRPs? We are just falling every day. Any new ideas for tomorrow's 'Breaking' headlines apart from the regular news, people?” thundered Mr.H. 
 In response, 
A - Sir, yes. My team has a special report on the recent developments in medicines of Drug Resistant Tuberculosis and we could air it...(Everyone looked at A in plain disgust) 
Mr. H - That's all right, A, I'll listen to you later, any others?
B - Why yes, sir. I have an excellent piece. I have interviewed the second cousin of the now estranged husband of a hospital attendant's wife of Country ‘S’. (Everyone except A came to attention and showed great interest. Country ‘S’ was the place where a celebrity passed away recently and already Country ‘S's investigators ruled out any suspicion of the death. None of them bothered even asking whether the hospital attendant actually belonged to the related hospital.)
Mr. H - Ah, now we are talking. Hold that thought. Any ideas to match this?
A - Sir, but that is preposterous. What can we gain from such an interview? In that case, I have an interview from Mr.M, a famous agriculturalist who clearly explained a new suggestion to deal with the problem of Minimum Support Price (MSP) for Red-Gram farmers of Telangana State...(Oh my god, does ‘A’ never stop? Everyone kept wondering with contempt.)
Mr.H - Farmers? The only day we care about farmers is when we remember Lal Bahadur Shastriji. Jai Khet.Or what did he say?
A - It was 'Jai Jawan, Jai Kisan', sir.
Mr. H - Yes, who cares what he said? Right. Now, let's give a chance for others...
C - Yup, Mr.H. Check out what I have - A comparative and detailed analysis of box office collections of all films of 2017 & 2018. We could invite fans of heroes and they could sweat and fight over these statistics. Struggle over Statistics - How's this for a title? (An applauding laugh by everyone except of course ‘A’ followed)
Mr. H - As long as they fight, it'll be good for us. (Chuckles)
A - But, why do we need Headlines on entertainment when we already show entertainment news separately? (A was spoiling all the fun)
Mr. H - That's because...ah...
D - Now, ‘A’. Don't be so pedantic. And speaking of new ideas, I have one myself. I observed that when President ‘Q’ (of a foreign country) smiles in a peculiar way on any given day, then on that day, ‘Mr.Z’ ( a cricketer of our country) is certain to do a century. We could dedicate an entire day to investigate this link... (Everyone except A was amazed)
A - Are you serious, D? Mr.H, if investigation is your only concern, then I did some work, collecting data across various start ups in Bengaluru, interviewing budding entrepreneurs - their views and proposals which could further enhance our Ease of Doing Business Rank or about the NPAs of banks which I did last week....(A was so boring)
Mr. H - Ah, yes thank you A. For now, we'll go with ‘D's thoughts. (A round of clapping and cheering for ‘D’)
A - Mr.H, I can't bear this nonsense. You are ignoring me for too long. For weeks I've been requesting you to at least listen to my proposals. They involve issues of national importance. Medicinal properties of new species of plants discovered or an informed debate of Federalism or even a dispassionate analysis of India-China problems without hyping up Doklam issue - you've never given me a chance. So I Quit. (Much to the relief of others)

The next day, news channel 'Y''s ratings shot through the sky. Every person was glued to the channel's exclusive headlines on a link between President ‘Q's smiling pattern and the century making abilities of ‘Mr.Z’. 

A rather dazed ‘A’ thought to him/herself - 'So, that's the Headlines for the Day...


Place and Date
#16-7-16, Bhramara (Ground Floor), Saladi Jamindar Street, Palakollu (West Godavari) - 534 260, AP on Saturday, 10th of March, 2018.

Title
'So, that's the Headlines for the Day...(Satire/Fiction)

Thursday, January 4, 2018

Who is a Begger?



"
The great leader clad in khaddar - a man of many words,
He bows before the foreign investors at summits,
He stoops so low every five years before his voters...
Yet, he is not a begger!

A corrupt cop, greedy and shabby - demands money as a right,
A jilted & unrequited lover, blinded & never too bright,
An official of the state, clothed in pride & power - yet likes flight over fight...
An unscrupulous businessman, lobbying lavishly with might -
Yet, none of them are beggers!

And here they are, in this land of Fine arts,
Men cursed by past & spurned by future,
Who run pillar to post, like ruined relics.
Whose once cherished art is now a crime,
Whose very existence is a matter of shame!

Yes - let us congratulate ourselves! Because we caught the real beggers.
"



1. Place and date
@ - Advocates Colony, Street no.5, Himayat Nagar, Hyderabad, Telangana.
On - 4th of January, 2018.

2. 'Who is a Begger?' (poem) 
Today, I've seen a picture (as above) in The Hindu, where traditional Sankranthi based artists like Gangireddu melam (DuDu basavanna) were arrested and charged with the 'Prevention of Beggers Act 1977' read with rules thereon (ammended 2010).

Such a treatment only brings out the state's arbitary nature in dealing with artists. Just a few days back, during the Global Telugu Conference, aren't all these so called 'fine arts' displayed as a source of pride?

Pic credits - The Hindu