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| @Kala Bhairav Temple |
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| @ Gadh Kalika Devi Temple |
My travels is all about... My views, thoughts and experiences on/about/at/with random places of interest, persons, things, events, issues etc,. I am an eternal student with a restless mind and a tumultuous heart!
My travels is all about... My views, thoughts and experiences on/about/at/with random places of interest, persons, things, events, issues etc,. I am an eternal student with a restless mind and a tumultuous heart!
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| @Kala Bhairav Temple |
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| @ Gadh Kalika Devi Temple |
The Forts of Rajputana
shook at the Great Mughals' gumption
with new allies and old
foes all seeking redemption.
Yet, on the turmeric
colored pass, Mewar's Rana stood tall;
For his warriors, the
battle's a game, with no fear of fall.
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| @ Museum, Haldighati |
Men, Horses, Elephants all set for glory;
Ambition clashed with
courage, and the result's very gory.
Near the impregnable
Kumbhalgarh, a tryst with blood was sought,
and with Saffron
clad frenzy, the outnumbered Rana's troops fought.
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| Me at Haldighati Pass |
But the forces of the Emperor's trusted lieutenant were not ill prepared,
and the deadly battle
raged on, with hell's cynical glare.
The adjacent pond became
redder and redder with each passing minute;
The victors and vanquished
became inseparable with no escape route
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| Me at Haldighati |
Then at that fateful
movement, the noble & sweet stallion Chetak was wounded;
With worse to come, with
all hope lost, the Rana’s forces were rounded.
The Bhils rallied behind
Rana, but the battle was long over,
The bloody day ended, but
the battle and the warriors’ deeds remain etched in Mewar’s folkore.
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| Samadhi of Chetak, Halighati |
(Puri District, Odisha, October 2023)
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| Me at Gangeswari Temple, Bayalish Bati, Erabanga - Gop |
It was the first time that I got into a State Government operated MO bus from Puri to Bhubaneshwar, and after getting down at Gop Bus stop, I reached the scenic and unassuming village of Bayalish Bati, literally meaning the village of forty houses. Away from the hustle and bustle of the Golden Triangle of Odisha tourism, the little village possesses the temple of Maa Gangeshwari Devi, the kul devi of the Eastern Gangas of Kalinga.
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| Lord Surya, the Sun God on his seven horse chariot - on the backside of Barahi Deula, Chaurasi |
The temple seems forgotten, with thick shrubs and creepers making their mark on the Deula. The Eastern Gangas, at their zenith (c.11th-14th Centuries), with stalwart kings like Aanantavarman Chodagangadeva, Langula Narasingha Deba, were responsible for the proliferation and perfection of Kalinga style of Rekhi architecture, with Puri and Konark remaining the greatest examples. A legend refers to Bayalish Bati as a village of architects and sculptors including Sebei Mahapatra, of Konark Sun Temple fame. The temple at this village could have been a prototype of the more famous Sun Temple of Konark. The sculptures and images, including Saptamatrikas, Mithun, and especially Varahi Devi are amazing.
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| Barahi Deula, Chaurasi, Lateral View |
The Varahi Temple / Barahi Deula located in Chaurasi village of Prachi river valley, located on Nimpada - Katakpur road is another interesting temple. Attributed to Somavamsa Gajapatis of Early 9th Century CE, the main idol in the sanctum santorum is dedicated to Goddess Matsya Varahi, representing Tantricism and Saktism, and is unique. Seated in lalitasana, the divine woman with a boar head and a Kapala and Fish in each hand, invokes awe. The temple itself is planned on Khakhara model, with Sandstone material and images like Lord Surya, the Sun God driving his seven horsed chariot are arresting. Bhog (Mahaprasada) of Jagannatha Temple is taken to this temple everyday.
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| Inside the Chausath Yogini Temple, Hirapur |
The Chausath Yogini Temple / Mahamaya Temple, is located 20 Kms away from the capital of Bhubaneshwar, and is another unique, but lesser known masterpiece. Yoginis are mythical, auspicious practicioners of Tantra and Yoga, associated with Sanatana Dharma and Buddhism. This little, hypaethral, circular shaped shrine is dedicated to the 64 Yoginis (Hence the name Cahusath i.e, 64), with most of the images in a damaged state. Sadly, there is no proper maintenance. Eastern India, since ancient times was a stronghold of Shaktism and Tantricism and this temple is a living proof. This is the oldest Yogini temple in India, dated c.864 CE, commissioned by Queen Hiradevi of Bhouma Dynasty. A famous local legend ascribes to Goddess Durga taking 64 forms to defeat demons and now consecrated as Mahamaya Devi, the main deity of this temple.
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| A Yogini inside the Chausath Yogini Temple, Hirapur |
It was a fruitful day for me, as I got to offer obeisance to the Goddesses of these iconic temples, and to witness the unsung glory of Kalinga.
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| Me Outside the Chausath Yogini Temple, Hirapur |
Around Sri Kshetra, In awe of the Goddesses of Puri..
Maheeth
Veluvali,
16 Saladi Jamindar Street, Palakollu,.
11th of June, 2025.
(Kondapalli Fort, November2023)
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| Me at the Fort |
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| Ruins |
The fort had humble origins, and was reportedly in existence during the fall of the Kakatiyas in c.1323 CE. Sources attribute it to various fighting factions and feudal dynasties viz, Mudigonda Chanakyas, Musunuri Nayakas. During 14th Century CE, a new dawn arrived in Andhra Desa, however shortlived. Under Prolaya Vema Reddy, the Independent Reddi Kingdom emerged and Kondapalli's stature rose, as a central location of Telugus in an increasingly fragmented polity. The next centuries lent much credence to Kondapalli's prominence, as Suryavamsa Gajapatis of Kalinga held sway, followed by Qutubshahis of Golconda, short lived Mughal Suzerainty, AsafJhais (Nizam) of Hyderabad, and eventually, the fort turned into a military bastion and garrison under the British.
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| A Qutub Shahi Inscription |
In 15th Century, when the tripartite struggle peaked between the Bahmani Sultanate, Rayas of Vijayanagar and Suryavamsa Gajapatis of Kalinga, Kondapalli changed hands frequently, and was initially captured by Hamvira Routraya of Kalinga, feat replicated half a century later by Sri Krishna Devaraya in his famed Kalinga campaign (c.1513-1520 CE). Kondaplli marked the Southern extent of Gajapatis.
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| Entrance to Fort |
Today, the ruins and ramparts of the fort offer a picturesque site, and it is accessible on foot from the village of Kondaplli through the Toys Street, as well as by road from Ibrahimpatnam, with the Ghat road dotted by Quarry lorries on a long queue. The Darwazas, ruined Jail Khana, Tanisha Palace with chambers, offer a sombre sight, pointing to a lost era. There is a huge scope for development, and the State Government of Andhra Pradesh has taken due note of it, vide it's new Tourism Policy.
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| Kondapalli Doll |
The Hill Fort
Maheeth
Veluvali,
16 Saladi Jamindar Street, Palakollu,.
31st of May, 2025.
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| Tomb of Itimad Ud Daula |
The itinerary that was supposedly planned for me by the auto wallah was modified with my caveat - that I'd like to visit the tomb of Itimad Ud Daula. From the perspective of Agra Cantonment Railway Station (locally called 'Chavani'), and regarding tourists in general, this monument is usually skipped as people remain in perpetual awe and throng the Taj Mahal in droves ignoring other lesser known places. It is located across the Yamuna river, a bit far from Agra Fort and the Taj Mahal. The auto passed through the dusty lanes of Agra, bypassing sweet shops selling Petha. Agra wasn't modern in any sense, and the civic amenities are found lacking. And, one fine late March morning, I stood before the Tomb of Itimad Ud Daula, and I was the only visitor there.
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| Me @ Tomb of Itimad Ud Daula |
There
are three iconic monuments of Mughal Architecture, primarily and loosely based
on the Tomb of Tamelane in Uzbekistan :-
1. Tomb of Humayun
2. Tomb of Itimad Ud Daula
3. The Taj Mahal
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| @ Tomb of Itimad Ud Daula |
The first two were commissioned by women and the third was in memory of a woman. The tomb of Itimad Ud Daula, built between 1622 and 1628 CE, was commissioned by Nur Jahan, Consort of Emperor Jahangir, in memory of her father, Mirza Ghais Baig, a noble who started his career under Akbar, the Great. The noble was honoured as 'Itimad Ud Daula' i.e, "pillar of the state". The building, essentially a mausoleum, marks a paradigm in Mughal architechture, as the Red Sandstone was replaced by White Marble. By early 17th Century, the Mughals were an established power in North India, with their confidence aided by imperial consolidation reflected in their buildings.
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| @ Tomb of Itimad Ud Daula |
The mausoleum's exterior is betrayed by it's rich interior. The European technique of 'Pietra Dura' was first applied here, wherein exquisite precious stones and gems were used in creating beautiful paintings and decoration, often embellished in the form of flower vases, symmetrical objects etc,. The minarets and the overall façade point to a methodical and mathematical precision. Few years later, the tomb would inspire the Taj Mahal, now a Wonder of the World. Verily, it stands up to the moniker, ‘Baccha Taj / Baby Taj’ and ‘Jewel Box’.
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| Pietra Dura Work @ Tomb of Itimad Ud Daula |
The 'Jewel Box' of Agra
Maheeth
Veluvali,
16 Saladi Jamindar Street, Palakollu,.
24th of May, 2025.